Presentable
Updated: Mar 8, 2022
We opened up a new world of color at ART YARD Art Matters at BNS this week! After being away for break last week, students returned to the pencil drawings they've created over the last two sessions with Teaching Artist Evelyn Beliveau. Each student chose to use watercolors, colored pencils, or a mix of the two.
Evelyn explains: “I demonstrated different ways to achieve skin tones using both types of media--for example, layering crosshatched strokes of different colors, or loading just enough pigment and water onto a brush (but not too much). Matching the colors to the skin tones was challenging, but students tried out many combinations on test sheets and seemed to enjoy the process--marveling at the vibrancy of some colors and how certain colors changed when a white colored pencil was added.
A couple of students finished their drawings--including skin, hair, shirts and masks, eyes, and background--while others will finish next week.
Dennis and I were able to do a short critique with one student who finished early. Max G. drew a great comparison between his drawing and one of the example images on the wall--he noticed a similarity between the head shape in his drawing and TM Davy's Self-Portrait in Orange Hoodie (2019)--shown here:
Max G. also talked about how he incorporated mistakes and kept on working, with those missteps and initial attempts becoming part of the story of the drawing. That strikes me as a great attitude to have and a fruitful way to work!”
This week in ART YARD Advanced Studio on Zoom Teaching Artist Vera Tineo presented a session titled How Hair Shares Ideas in which we used the medium of our choice to create a piece sharing our relationship with hair.
In her well prepared and compelling presentation Vera shared the work of Uchechukwu Ibemere, Sonya Clark, Jessica Wohl, Laetitia Ky, Natalie Weis, Christopher Smith, and Forwar Moledina (images in that order below) for inspiration.
Zeke was inspired by the work of Jessica Wohl to create a drawing of what could be a Hair Horror Movie Set!
Vera summarizes: “Hair is such an imaginative medium for us as a group. This session underscored at everyone has a different relationship to hair. It was so much fun to see past hairstyles of the ART YARD Artists! We got to experience each other through a different lens, telling the story through hair.
I loved seeing Wayne, Meridith and Marilyn's transition through hairstyles. Wayne’s a side by side excellent drawings of two of passport photos:
Marilyn’s a delicately painted montage of styles through the years:
Meridith’s a paper doll depictions of her hair styles and corresponding hair colors.
Similarly Ed depicted a history with his hair and it changed. And had us roaring with laughter about his stint as a department store worker when men were required to have short hair styles and his solution for his long ponytail was to purchase a cheap wig, which he wore defiantly tugged over the lump of his ponytail!
A surprising response to the lesson, came from Delphine and Karla with their use of hair utensils. Seeing their work allowed me to see that the way we treat our hair can be used to communicate about hair.
This lesson gave me a great insight to some of our members' experiences, and the understanding that some of us have only started to recognize their hair relationship as something they can curate for themselves.”
Karla adds: “When Vera talked about the relationship with our hair I thought of the daily routine of making oneself “presentable”! I thought of my “go to” comb which I’ve had for several years and that I use for this ritual every day. The comb became my stencil. Overlapping and repetitive drawing echoes the tangles and angles this tool experiences.”
Maraya and Vera both made masks, employed actual hair, and appear in the documentation (presentation) of their pieces.
Robin who shared stories of the struggle and pain of the hot iron for straightening hair, described her collage rebellion hair style and her mother and grandmother’s dismay at the look.
Pat created a dual hairstyle portrait of Tina Fay/Sarah Palin which resembled her Roman hair cut in 2008.
During the discussion I shared that I have a great track record for getting complements on my hair from students. My second piece includes a quote from a fan letter I received several years ago framed by my current pink tresses.
Candy chose to depict Vera's hair, which she describes as a beautiful inspiration and a reminder of her East Village days sporting a technicolor Mohawk.
On Tuesday ART YARD Advanced Studio class returned in person to the Brooklyn Waterfront Arts Coalition’s beautiful space for the Spring 2022 sessions.
Teaching Artist Candy Heiland kicked off a series of 3 sessions based on the work of Wassily Kandinsky. Candy explains: “This cycle is inspired by a visit, with Meridith, to the Guggenheim museum to see the Etel Adnan: Light’s New Measure. Coincidentally, also on view was a large exhibit of Kandinsky’s work. This reminded me of how much I once loved this art and decided to develop a series of sessions based on his work.
The class opened with several examples of his work projected as we learned about his inspirations and philosophy. Kandinsky experienced synesthesia, a condition where one sense was activated by the experience of another. In his case, he saw colors when he heard music. With this, he explored the ability to channel spirit as a resource to illustrate the effect music had on his emotions. He believed that abstract forms were the purist means of communicating these emotions. Kandinsky had a long friendship with the composer Arnold Shoenberg. This was some of the music that touched his heart, inspired his artistic exploration and for this class, we listened to his music played by the violinist, Hilary Hahn. The music would vacillate from calm to tumultuous, with the latter being the dominate feature.
The work created reflected the drama of the music. Ed using watercolors, began his exploration while the music was calm. He painted flowing waves, but as the music became more dramatic, the image grew darker until his final piece was a perfect reflection of the sound.
Robin used layers of lines to create her piece. First, she drew small squiggles which evolved into thick, black lines, also demonstrating the progression of the music.
Vera made a multi-layered monoprint using acrylic paint and a piece of acetate for her plate. As the intensity of the music subsided, she began to interweave white into the dark mass of colors.
Alison, working first in her sketchbook, drew an abstract form using geometric shapes that became a human figure. The edges of the frame began to fill in representing darkness. As the color progressed it began to lighten.
